Here is a photo of an ofrenda for the Day of the Dead at the Mexican Fine Arts Museum
The Trib included it in an article which became the newspaper that I laid down underneath my paintings.
I thought I would show you this process. I used it with my last failed attempt.
This is the view down my street
Having a great time in the lab.
Thought I would be done, but I don’t like it. Problem with the yellow leaf swath. I’m looking for inspiration about how to fix it. Otherwise I’ll just start over. But I’m not really sure about why it went off the rails in the first place.
The yellow maple was what I liked most about it. The rest is fluff.
Overall, this winter scene turned out pretty well. Really like the snow and the background. My fall tree paintings were not too successful, so I have to think about them for a while.
Here they are, the intrepid painters of the Fall 2025 Old Masters Class. Unfortunately we are missing two members: one, who had a valid medical excuse, and another, who said it was too cold to come to class. [Ed.note: Is he a true Chicagoan? It was at least 12 degrees…]
Merry Christmas to all and to all a good night!
And I guess you know what this is. 9x12
I also painted our hydrangea bush in the late fall. I tried the ink resist technique that I’ve done before but it’s been awhile.
First I painted the work with gouache using what I felt was a fairly thick layer of gouache with gum Arabic figuring that it wouldn’t wash off along with the ink. I thought it was a nice little piece. I watched several videos about how to do this and they all said don’t be afraid to cover the whole thing with India ink. So I did.
And someone said to let it dry overnight and then wash off the ink in the sink. So I did that. This is what I got.
The idea was that the ink would stay where there wasn’t any paint and wash off where there was but that’s not what happened. They all warned me not to scrub too hard, using light strokes with a soft brush, but I still damaged the paper and no color remained on the paper. After watching more videos, I decided that I should have used colder water and maybe I shouldn’t have let it dry so long. Anyway—-this is what I was left with.
So I carefully redrew the composition and painted over it using gouache over the inked coldpress. It kinda looked interesting but not anything like I planned.
Here is what I originally saw.
I went back to regular 8 1/2 X 12 140 # coldpress to do the next one. So…it’s pen and ink with watercolor paint. Each leaf was coated with water and I just dropped color in like real painters do. Got some interesting effects here
The last one is on 5 X 12 Yupo; real Yupo. I cropped the original some more and just painted it freehand and wet. I never did get the darker colors that I saw on the actual plant but I did get the colors in the reference photo.
More autumn coming. Trying the next autumn painting with the India ink resist technique.
I’ve lost the chubby shape of her face making her older than she looked at the time. Shortly after this she went full “Goth” and has never fully emerged from that even though she’s in her 30’s.
To see what would happen with a darker background I taped dark paper around the image. What do you think?
I know she “pops” more with the dark but then the shirt is too light and that summery feeling goes away.
Learned a lot on this one. and hey, I don't think it looks half bad. 3x12
Looking at the really good notes I took from the class I took last year, I went through the process, thumbnail sketch, one color value painting, then the painting then noticed that the last sentence of the notes said never to take up all of the paper with the head…which is exactly what I had done..so I got out a larger better piece of paper and began again. Still working on that …can’t decide what to do with the background . Will post when I resolve that.
This is the one from 20+ years ago.