Sunday, October 4, 2026

Cranking out the masterpieces.


I was lying in burned out basement



The enchanted forest


Who can find the upside down goose?



At last something that looks like something



Okay the thing is when you are driving across your landscape with your smallest dagger brush it just leaves a white path because it is pretty wet and everything washes out, but the further you go the drier the brush becomes and it begins bulldozing the paint debris in front of it, and because it is kind of sticky the hairs splay out so that each hair is separated and dragging its paint in behind it and the brush is leaving parallel lines behind it so you get a lacy pattern.  And I have always wondered if I could use that phenomena in my paintings someway where it came together.  I'll be in the lab probably until Halloween.


Here is a closeup because it doesn't show up well in the whole painting.





And look here another Renaissance Art Fair.  October 22, 10 to 4.  Discounts for old and new masters who drop by.


 

6 comments:

  1. I like these! Even the grid works...probably because it's soft and low contrast and feels like texture. Speaking of texture, the texture you got in the last one is fascinating. Now you need to feature it instead of letting it get lost in a sea of tiny brushstrokes. Honestly, I don't think I would have noticed if you hadn't pointed it out.

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  2. The painting is the texture. It's the new dit, dit, dit. It's dit, dit, dit.....dit.

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  3. I like #2 where you’ve allowed the bright colors to pop. The ones that have the greatest contrast in either color or brushstrokes tend to attract my attention more. Contrast Is what makes abstraction interesting imo…actually it’s what makes any painting interesting…

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  4. Still like the first one the best. There’s a lot of depth there. That blue one looks a little fuzzy but all right greatly enlarged. Try it on a bigger piece of Yupo. Are they all small? That dagger brush brushwork looks promising.

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