This isn't really Isa's garden—it's a fence by the parking lot. But it's delicate and elegant and beautiful. Zoom in and see for yourself.
Bill is also taking every opportunity he can to paint the great outdoors. Don't you want to rest here on a sunny evening?
Or in this regal chair in a flowered arbor?
Here, Bill shows the sun setting behind a soccer field. The position of the sun in this composition is inspired.
Everything in Bill's painting of a trolley car in Bruges leads the eye directly to the focal point. This is another skillful composition.
Finally, Bill uses a new medium (water soluble oil pastels) in this painting where he combines assignments and themes with aplomb. This is based on Pat's song title challenge and features a Brazilian soccer player on a green field. Remember the giant peach? Doesn't the soccer ball look like a peach?
Although maybe not so much as Emily's giant peach (below). This is another painting where the real painting is even more stunning than the reproduction. The texture is superb (you can feel the fuzz!), the colors are spot on and the background color choice is a masterful use of complementary colors.
Here's Emily's homework. All she had to do was paint the shadow; she went much farther and drew the objects as well...
... not just once, but twice.
Speaking of shadows, Greeta continues her book, Houses of Graceland West. The shadows on this white stucco house are exquisite—and the focus of the painting.
These sweet little portraits are Greeta's nod to her ancestors. She found two sepia prints of family members and delicately painted and colorized them...
...before working on this painting of her grandson. She may revisit the grass track, but everything else is perfect.
Madeleine is also painting grandsons in a garden. Look closely at the lovely impressionistic brushwork and the wonderful pose.
Another grandson in a garden. Madeleine painted her tree-hugging grandson at the Chicago Botanical Garden. Adorable!
Alan is back to working on Yupo for this portrait of Greeta on Chicago's Riverwalk against a background of bright green umbrellas. This is very Gauguin-like, isn't it—even though Chicago is miles from the tropics?
Steve's next diptych is moving along very well. He's using a technique where he first gets the values in place, then glazes for skin tone. This painting is ready for the glaze(s)....
...while Steve is still fine-tuning the values on this one.
Elaine continues her series of portraits. She's added a background to this painting of Clifton Chenier (okay, now she knows who he is, but she doesn't actually know him) with the feel of zydeco.
And then, Elaine begins another person she doesn't know... although this woman looks like she'd be a lot of fun to know, doesn't she?
Susan added a new element to her Canadian Rockies landscape—a bighorn sheep. She hasn't painted a lot of animals, but this one seems right at home against the rocky crags.
Ken's mosaic cat is moving along. This is one of the first cat paintings where he includes the whiskers. We are anxious to see how he finishes them.
What can stand up to Ken and Susan's brilliant use of color? An actual color wheel! Andrea's finished her advanced color wheel with tones, tints and shades.
And then, she moves on to experiments with complementary colors. These are both extremely useful exercises.
Finally, Andrea moves on to the new "Expand the clipping" exercise. She takes a small bit of a magazine clipping and expands it, matching color as she goes. This looks like it's going to be a great success.
Finally
Upcoming events
Where:
Alderman Pawar's 47th Ward Office
4243 N Lincoln Avenue, Chicago, ILAlderman Pawar's 47th Ward Office
When:
Exhibition: September 16–January 13
Reception: October 6, 7:00–9:00pm
Where:
Ten Cat Tavern
3931 N Ashland Ave, Chicago, ILTen Cat Tavern
When:
September 30–November 15
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