And then, she continues her exploration of complementary colors in this richly patterned fall scene.
Meanwhile, Susan also paints water, but she has people, not fish, frolicking in the waves.
And Sara uses soft, but vibrant color to set a mood.
Hector masterfully uses carefully chosen colors in abstract, flat expanses.
Maybe he's so eager to move to color because he just finished the infamous "egg" assignment. One of the harder ones, but he's done a lovely job of it.
Ken continues his colorful architectural tour of downtown Chicago ...
... while Vivian gives the scene an Escher-esque twist.
Marva brings us out of the urban landscape to a softer, gentler field of colorful flowers. So beautiful, aren't they?
Mark and John couldn't resist the ultimate challenge—people. Mark uses watercolor,
... while John's color pencil drawing includes people both real and imagined.
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