First in a series of people viewing Cezanne paintings at the Art Institute.
Trying to paint in the style of Loriann Signorini, who works in pastel. The yellow one is my attempt to copy her painting. The pink one is from my photo.
First in a series of people viewing Cezanne paintings at the Art Institute.
Trying to paint in the style of Loriann Signorini, who works in pastel. The yellow one is my attempt to copy her painting. The pink one is from my photo.
What is this blog, chopped liver? Nobody posts, nobody comments. What is the world coming to?
Another travel painting! No, it's not nearly as exotic as Europe, but this is representative of Illinois farmland, as seen on a recent trip to Decatur. I may have to revisit the sky to get the impending storm more accurately, but I'm happy. I especially like the Harvestore silos—they are so iconic, aren't they?
On the Road to Decatur 9" x 12" |
Here’s three flower portraits, painted in 3, 1, 2 order. They have flaws but more energy than Quinn’s portrait, probably because I painted them from real life…
I finished my little Old Town Triangle street scene on Yupo. I was trying to work with sunlight and shadows alone but it kept getting more and more complex and I kept finding more to do. So I guess I’ll just stop here.
This is the most recognizable of the croppings so I am having a bit of a problem with my never think ahead, never think twice, process, but I think I have enough paint down now so that I can ignore the original image.
I tried some plein aire last week. I’m told that it’ll get better with time. Golf clubs are good for “shapes not things”
Another birthday card. Six down, two to go….until the October cycle.
From a photo next to a window in a Hyde Park cafe.
Another painting without drawing Copying someone else’s pa inning of the Julia Child rose.
Well, it's finished! And there's so much to say, starting with Ken's maxim that it's not done until it's overdone. Seriously, this is one of those paintings where I'm happy...and then I go one step too far. In this case, I used gouache to lighten some of the moss and instead, it went all dead and chalky. Lesson 1: Don't rely on gouache to save your values!
Spanish Moss (before removing mask outlines) 9"x12" |
Spanish Moss 9"x12" |