Sunday, September 26, 2021
Saturday, September 25, 2021
Sara’s pics
Here’s the first version
Here’s the revised version. Definitely puts the focus on her instead of everything else. I’m going to try a bigger version when I return.
Hail to the Chief
The inspiration was her official city portrait distributed with the utility bill notice, which looks fresh as if she just won the election & full of promise for the city. I noticed that her eyebrows defined her features unlike recent photo ops in newsprint where she always look busy & the eyebrows are missing. I felt I've got her likeness with the twinkle in her eyes & the challenging experiences of handling the city budget, police misconduct, aldermanic issues, crime, pandemic, are now reflected on the brand new lines & shadows of her face! May she have happier days in her administration!
Elaine O. — September 25, 2021
Finished! I know this looks like a candy box, but it fulfills my intent. I wanted to show my nostalgic feelings for this neighborhood school (before it closed and was taken over by a charter school). Much has changed, both physically and in terms of the entire culture and vibe. I'm actually considering doing a "before-and-after"...but I may just be inspired by Elaine T.'s monster painting. We'll see!
11" x 14" |
Sunday, September 19, 2021
elaine t / sept 19
I am so happy with the transparent, watery feeling I was able to maintain in this jellyfish!
Sara’s pics
Well I hit the button and made them large but they don’t look any larger….Anyways I worked on this girl quite a bit today and would call her done, altho the composition looks a little busy - it doesn’t hold together the way I wanted it to.but the morning glories come together nicely…
End of summer for Alan
When you paint on Yupo you need something else to do while you wait for the paint to dry. This is a covered bridge in Michigan that I’m working on in my sketchbook. I’ll work on the negative spaces before I finish.
The ants go marching four by four
Now they have a tablecloth. or at any rate a compositional element
Saturday, September 18, 2021
Elaine O. — September 18, 2021
I've begun this painting of a jewel of a neighborhood school that has since been taken over by a charter school... and the change is not for the better. This may be a bit of nostalgia...or it may be the start of a whole new series, Before They Were Gone. At any rate, I've got a ways to go, so I'll keep painting while humming "Don't it always seem to go that you don't know what you've got till it's gone..."
11" x 14" |
Sunday, September 12, 2021
Alan on Alan
Sara’s stuff
A forest of birch trees and two guys….so great to see everyone and their Art in the flesh, so to speak….
The ants go marching three by three
This is the beginning of what I am thinking of as a picnic tablecloth, though basically it is just a compositional element. Some of the class feared that this might obscure the ants, but I think it may even enhance them. There is no way to find out without forging forward.
Saturday, September 11, 2021
Elaine O. — September 11, 2021
I have to admit that I was a little nervous about the first day of in-person school. But it was great to be back...in fact, it was like we never left. I couldn't decide on my next project/series, so I decided to grab a magazine cover and do a quick portrait. Here it is. While he's recognizable (I think), I've made him a little chubby, and for that I apologize. Lesson of the day? Measure before rushing in with the paint!
12" x 9" |
We're back...and we welcome Beth and Christian!
It was great to be back today and see all the old familiar faces...okay half of the old familiar faces, since we all wore our masks. We'll continue to post individually so you can experience the artist and the art without a filter. Meanwhile, we have two new members we'd like to introduce you to. First is returning artist Beth. You may remember her from back in 2017-18 or so. She's been keeping busy with some plein air sketching.
And today, she began this view from her front porch. We love her loose, painterly style and are glad her new job frees up her Saturday mornings again.
We're also glad to welcome Christian. As you can see, he's no rank beginner! Here, for instance, are his color wheel and experiments with value ranges.
From there, he launched right into some "extra credit" work with this landscape. See what we mean about prior experience? His gradient sky and color blending around the sun are quite advanced.
And this beginning of a floral is a testament to his graphic sensibilities and love for complementary colors.
Welcome, Beth and Christian! You're in the right place!
Monday, September 6, 2021
Saturday, September 4, 2021
elaine t / Sept 4
I'm really looking forward to in-person classes next week!
I finished the pond. It does give me the peaceful feeling of being there
Friday, September 3, 2021
Weely Inspirations - the last
We're going back to school, Sept. 11!
66a) Tuong Lan Nguyen, Behind the Lotus, Watercolor on paper, 61 x 34,5 cm |
66b) Odilon Redon (1840-1916), Still Life |
66c) Morris Graves, Vessel in a Drift of Diamond Light in the Sky of the Mind, 1944 |
67a) Paul Cezanne, watercolor sketch |
67b) Diego Rivera, Portrait of Lupe Marin |
67c) Mary Beth McKenzie, 1946 |
68a) Maurice Brazil Prendergast, Children at the Beach, watercolor and pencil on paper, circa 1896-1897 |
68b) Winslow Homer, Paddling at Dusk, watercolor, 1892 |
68c) Peter Doig, Figures in Red Boat, circa 2005 - 2007. |
69a) George Grosz, Central Park at Night, 1936 |
69b) Ben Shahn, The Bridge, watercolor and pencil on paper, 14 x 10 in. |
69c) Suzanne Siegel, After Dinner Walk |
70a) Wayne Thiebaud, Drink, 1999 |
70b) Lucian Freud, Still Life with lemon, 1945 |
70c) Chelsea B. James, Large Bread, 24 x 24 in., Oil on masonite |
71a) Carol Rabe, oil painting |
71b) Tom Hughes |
71c) Alice Neel, Thanksgiving, 1965, Oil on canvas, 36 x 24 in |
72a) Salustiano Garcia Cruz, Spain |
72b) The quilt portraits of Bisa Butler |
72c) Guim Tió Zarraluki (b.1987, Barcelona, Spain) |
73a) Georgia O'Keeffe. Train at Night in the Desert. 1916. Watercolor and pencil on paper. |
73b) Andrew Wyeth, Dock Lights, 2003, Watercolor on paper |
73c) Marsden Hartley, Winter Wind, Maine Coast,1941 |